Item Z 11650 - Circular label with metal outline

Open original Digital object

Title and statement of responsibility area

Title proper

Circular label with metal outline

General material designation

  • Object
  • Textual record

Parallel title

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Title statements of responsibility

Title notes

  • Source of title proper: Rachel Hand for MAA

Level of description

Item

Reference code

Z 11650

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

Physical description area

Physical description

Publisher's series area

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Archival description area

Custodial history

[Source - Rachel Hand for MAA, 2016: The Museum’s catalogue cards and labels are part of the institution' and the objects' very history. Catalogue cards were created to add additional object information from the very first accessions back in 1884 and replacement cards were made if the original was lost, usually using both different pens and terms. Original sale or collector labels could be stuck to the cards to add biographical layers of information in the same way that letters and later photographs were sometimes attached to cards. Staff and sometimes visitors would add comments on provenances, measurements and locations over time. Reconnecting an author with their annotations can add to our knowledge of the object’s history and associations. The era and author of the cards also is reflected in their physical aspects: initially details were handwritten in ink, the 1930s saw cards stamped and written on a typewriter, followed variously by handwritten details in ballpoint pen, finally moving to word-processed and laser printed texts.

Like the cards the physical type of paper and pen used can suggest dates as well as authors. They can be used to confirm the identity of misplaced objects, e.g. Henry Bulwer’s collection bears distinctive long, rectangular shaped paper labels and his cursive script.

Early labels were handwritten in ink, on small rectangular paper or parchment label and tied through small metal reinforced holes. Others were glued directly to the object. Smaller rectangular or square paper labels, with a printed outline, usually stuck directly to the object, usually originate in late nineteenth or early twentieth century salerooms or via a collector. Larger circular, metal-edged labels were written in the museum, probably from the 1970s onwards. The 1980s bought larger labels on thick yellow paper, and remained handwritten. From c.2000, we have used acid-free yellowish paper labels, that are written on in light-sensitive and waterproof ink.]

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Creative Commons License: CC BY-NC-ND

https://creativecommons.org/licenses/by-nc-nd/3.0/

Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.

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General note

Accession numbers

[Source - Nessa Leibhammer for FHYA using MAA materials, 2012: Cat ID: 109444; ID NO: Z 11650]

General note

Attributions and conjectures

[Source - MAA, 2012:
Names: Apron - MAA (01/12/1998)
Classified:
Keyword: Personal Adornment; Clothing
Material: Bead; Glass; Fibre; Metal; ?Brass
Descriptions: Beadwork apron with chevron design, attached to openwork bead belt - MAA (01/12/1998)
Local:
Maker:
Cultural Group: Zulu
Author:
Date Made:
Dimensions:
Source:
Source Date:
Place: Africa; Southern Africa; South Africa - MAA (01/12/1998)
Period:
Contexts: MAA (00/00/0000)
Updated: 22/07/2008
Created: 01/12/1998]

Alternative identifier(s)

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