Published
FHYA using JAG materials
[Source - Carolyn Hamilton for FHYA, 2019: Contains a selection of institutional material held at JAG, some whole records and in other instances, compilations of parts of records that were digitised because of their relevance to the associated objects selected by the FHYA. In this section you will either find the complete record - or as complete a version as the FHYA were able to at the time. Where the record appears alongside the selected objects in the series above, a link will have been made from there to the complete record in this series, via the Associated materials field.]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Published
[Source - Nessa Leibhammer for FHYA, 2017, using JAG materials: The box file contains two soft cardboard files of general correspondence relating to the negotiations around the assembly of what is now known as the Brenthurst Collection by Jonathan Lowen - its valuation, acquisition and the possibilities of a publication. The two files contained inside are labelled: 11/1a Vol. 1, Brenthurst Collection (for Lowen Collection) – correspondence – reports and 10/58 Art and Ambiguity; 11/1a Vol. 2, Brenthurst Collection (from Lowen Collection).]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Published
[Source - Nessa Leibhammer for FHYA, 2017, using JAG materials: Contains information from auction catalogues and photocopies of information (often incomplete) from publications and articles on southern African traditional objects.]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Published
[Source - Nessa Leibhammer for FHYA, 2017, using JAG materials: Contains a valuation of the Brenthurst Collection by art dealer and gallery owner Michael Stevenson done on 3 December 2003
These contain information from auction catalogues and photocopies of information (often incomplete) from publications and articles on southern African traditional objects.]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Published
[Source - Nessa Leibhammer for FHYA, 2017, using JAG materials: Box File 6 contains a few pictures of objects and photocopies of pages from publications and articles on southern African traditional objects; pages from Sothebys auction catalogue; correspondence from collector Jurgen Witt, from whom some of the Horstmann objects were originally collected, to Rochelle Keene, then director of the JAG; correspondence between R. Keene and John Mack of the British Museum; Di Levy’s (then the curator of the Traditional S.A. collections at JAG) notes on objects for purchase from Horstmann; notes from Horstmann with information on objects offered for sale.]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Published
[Source - Debra Pryor for FHYA, 2019, using JAG materials: Contains pages from an Art Gallery Committee Meeting dated 1992/04/02, in which the Acting Director discussed the Udo Horstmann collection of Southern African art which was for sale. The Committee unanimously supported the possible acquisition of the collection through the Anglo American Johannesburg Centenary Trust.]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Published
[Source - Debra Pryor for FHYA, 2019, using JAG materials: Contains correspondence pertaining to the purchase of the Jacques Collection of Headrests, following the closure of the Africana Museum in November 1988. The collection had been on loan to the Africana Museum since the 1950's.]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Published
[Source - Debra Pryor for FHYA, 2019, using JAG materials: Contains correspondence from the Dr. P.H. Jaques (son of Rev. A.A. Jaques) to Christopher Till dated 1993/04/14. It includes Rev. A.A. Jaques annotated notes for a lecture on Shangaan Head-rests, which he delivered to the Fine Arts Society of Johannesburg circa 1941.]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Published
[Source - Debra Pryor for FHYA, 2019, using JAG materials: Contains pages from an Art Gallery Management Committee Meeting dated 1987/03/30, in which the Chairman authorises the purchase of the Jacques collection of 114 neckrests through the Anglo American Centenary Trust. The collection had been on loan to the Africana Museum since 1951.]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Published
[Source - Debra Pryor for FHYA, 2019, using JAG materials: Contains cover of Annual Report 1986/1987 file and a piece about JAG's acquisition of the Jaques collection of headrests.]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.