Corchorus serrifolius (view 1)
- NU0039207
- Item
- 2016 -
Part of FHYA curation of selected Bews Herbarium Ethnobotanical materials
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Corchorus serrifolius (view 1)
Part of FHYA curation of selected Bews Herbarium Ethnobotanical materials
Corchorus serrifolius (view 2)
Part of FHYA curation of selected Bews Herbarium Ethnobotanical materials
Corchorus serrifolius (Zulu name unknown) and asscociated items
Part of FHYA curation of selected Bews Herbarium Ethnobotanical materials
[Source - Chloe Rushovich for FHYA, 2017: File contains organic plant matter identified by Kevin Carnie-Thompson for FHYA using Bews Herbarium material as Corchorus serrifolius, photographed together with it's accompanying label, catalogue card, 10cm scale bar and a colour reference grid.]
Part of FHYA curation of selected materials from the Phonogrammarchiv at the Austrian Academy of Sciences
[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Isigexhe samadoda [quick wedding dance combined with hand clapping (-?)] Two-part singing by D. Mdhlalose and Maria Theresa Kanyile"; digitized CD booklet; handwritten protocols, and lyrics transcript and translation, extracted from data CD]
Part of FHYA curation of selected materials from the Phonogrammarchiv at the Austrian Academy of Sciences
[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Igama lokubonga inyama yesifuba: [dance (...?)], with laughing and shouting Two-part singing by D. Mdhlalose, Maria Theresa Kanyile"; digitized CD booklet; handwritten protocols, and lyrics transcript and translation, extracted from data CD]
Part of FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
[Source - Chloe Rushovich for FHYA, 2020, transcription of KwaZulu-Natal Museum database extracts: Accessions Register (photocopy version of Ethnology Book 2): "Ama-Lala Bead Ear-ornaments".]
Part of FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
[Source - Chloe Rushovich for FHYA, 2020, transcription of KwaZulu-Natal Museum database extracts: Accessions Register (photocopy version of Ethnology Book 2): "Ama-Lala Bead Ear-ornaments".]
Part of FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
[Source - Chloe Rushovich for FHYA, 2020, transcription of KwaZulu-Natal Museum database extracts: Accessions Register (photocopy version of Ethnology Book 2): "Ama-Lala Bead Ear-ornaments".]
Part of FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
[Source - Chloe Rushovich for FHYA, 2020, transcription of KwaZulu-Natal Museum database extracts: Accessions Register (photocopy version of Ethnology Book 2): "Ama-Lala Bead Ear-ornaments".]
Part of FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
[Source - Chloe Rushovich for FHYA, 2020, transcription of KwaZulu-Natal Museum database extracts: Accessions Register (photocopy version of Ethnology Book 2): "Ama-Lala Bead Ear-ornaments".]
Part of FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
[Source - Chloe Rushovich for FHYA, 2020, transcription of KwaZulu-Natal Museum database extracts: Accessions Register (photocopy version of Ethnology Book 2): "Ama-Lala Bead Ear-ornaments".]
Part of FHYA curation of selected materials from the Phonogrammarchiv at the Austrian Academy of Sciences
[Source - Chloe Rushovich for FHYA, 2018, using the CD booklet “Series 10 The Collection of Father Franz Mayr: Zulu Recordings 1908” and information provided by Gerda Lechleitner via email correspondence in 2016: The wide range of informants recorded by Mayr included young schoolgirls, an old "traditional" healer, non-Christian Zulu people, and Zulus who had already accepted Christianity and European customs (at least formally)
Mayr’s recordings were originally made with an Edison recorder on wax cylinders. This collection originally comprised of 50 recordings made by Mayr. However, the recordings listed in the first catalogue of the collection as Ph 1795A, Ph 1799A-1799B, and Ph 1800, no longer exist. Although these phonograms are missing from the Phonogrammarchiv, their original documentation still exists.
A book about Mayr, written by Clemens Gütl (Gütl, Clemens. ‘Adieu ihr lieben Schwarzen’: Gesammelte Schriften des Tiroler Afrikamissionare Franz Mayr (1865-1914). Vienna: Böhlau Verlag, 2004), prompted the Phonogrammarchiv to publish the Franz Mayr Collection in 2006.
Mayr’s original notes regarding the recordings were sporadic – in some cases he gave very few details about the interlocutor, while in other cases he was quite meticulous. In the case of interlocutors without a first or family name, or interlocutors with isiZulu names, this usually meant that the interlocutor had not converted to Christianity, where European-style names indicated an interlocutor who had converted to Christianity. Mayr had a wide range of interlocutors from the Natal area. Mayr stated that, with the exception of Ph 1773 [CD 2: 23] and Ph 1775 [CD 2: 24], which contain recordings in isiBhaca, considered by Mayr to be a dialect of siSwati, the recordings all document samples of isiZulu. Lechleitner notes that one should be cautious of sociohistorical context when approaching Mayr’s protocols. Importantly, modern research shows that the isiZulu spoken in Natal during Mayr’s stay was a specific dialect called the ‘Lala dialect’ or the ‘Tekeza language’.
The Mayr protocols are published on a data CD as digital images. They are divided into a protocol header and a free text section. The header contains standardised information such as: personal data of the phonographee, location and date of the recording, a brief summary of contents, technical details, as well as the phonographer’s name (and profession). The free text section contains texts, sometimes also translations and musical notations. Among these there may also be transliterations, unpublished or already published elsewhere, sometimes in historical transcriptions. Occasionally, one will also find texts which have not been recorded (e.g. additional verses of songs).
The series is arranged in 2 subseries for Disc 1 and Disc 2, and further laid out so that each song and the associated original protocols, transcriptions, and accompanying booklet is housed in a separate file.]
FHYA collation of the Father Franz Mayr Collection
Part of FHYA curation of selected Bews Herbarium Ethnobotanical materials
[Source - Chloe Rushovich for FHYA, 2018, using material provided by Kevin Carney-Thompson: The plant matter and accompanying material (labels and catalogue cards) were photographed together in a single image by the Herbarium. They have been presented by the FHYA as single digital items within files.The material is gathered together on the FHYA website as a ‘series’ named the ‘Father Franz Mayr Collection’. Alongside the scanned and barcoded Mayr ethnobotanical specimens, the Herbarium also includes a 10cm scale bar and a colour reference grid, photographed together with it's accompanying label, catalogue card, 10cm scale bar and a colour reference grid.]
FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
[Source - Carolyn Hamilton and Chloe Rushovich for the FHYA, 2018: The FHYA selected items identified by Nessa Leibhammer, Linda Ireland, Rosemary Lombard, Gavin Whitelaw, and Thingahangwi Tshivhase as definitely having been collected by Mayr, as well as all the associated labels and institutional materials]
FHYA selection from Mayr Series
Part of FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
[Source - Chloe Rushovich for FHYA, 2018, using material provided by Kevin Carnie-Thompson and Benny Bytebier, and KZNM materials: Reverend Father Franz Mayr was an Austrian missionary and collector active in southern Africa at the turn of the twentieth century. While living in southern Africa, Mayr was a proficient collector, amassing a wide range of different items, including examples of local medicinal plants, minerals, animals and ethnological artefacts, such as tools, household items, beadwork clothing and weapons, as well as recordings of local music. He collected a substantial quantity of material objects – including items such as local beadwork and household goods – at the request of Dr Ernest Warren, director of the Natal Government Museum. Mayr wrote several educational and religious books, including isiZulu language manuals and scholarly articles on aspects of what was regarded as ‘Zulu’ culture related to his collections. The articles were published in the European journal ‘Anthropos’ and the ‘Annals of the Natal Government Museum’. His publications allow for the gleaning of additional contextual information pertaining to the recordings and collected material. The FHYA selected items identified as definitely having been collected by Mayr, as identified by Nessa Leibhammer, Linda Ireland, Rosemary Lombard, Gavin Whitelaw, and Thingahangwi Tshivhase.]
Part of FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
Additional information
[Source - Chloe Rushovich for FHYA, 2020, transcription of KwaZulu-Natal Museum database extracts: Accessions Register (Ethnology Book 1): "Fire sticks formally used by the natives for producing fire. Made from the "Umtombo" wood." Justine Wintjes (22/11/2019): This accession once comprised 3 fire sticks, now only 2 (714A, 714B).]
Part of FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
[Source - Chloe Rushovich for FHYA, 2020, transcription of KwaZulu-Natal Museum database extracts: Accessions Register (Ethnology Book 1): "Fire sticks (Vuzwatiti) Made from the Umqaqongo tree." Locality: "Natal". Justine Wintjes (22/11/2019): This accession once comprised 3 fire sticks, now only 2 (718A, 718B).]
Part of FHYA curation of a selection from the Anthropological Collection at the KwaZulu-Natal Museum
Additional information
[Source - Chloe Rushovich for FHYA, 2020, transcription of KwaZulu-Natal Museum database extracts: Accessions Register (Ethnology Book 1): "Fire sticks formally used by the natives for producing fire. Made from the "Umtombo" wood." Justine Wintjes (22/11/2019): This accession once comprised 3 fire sticks, now only 2 (714A, 714B).]
Frida Kunene - Prayers Spoken by Frida Kunene, sound recording and associated items
Part of FHYA curation of selected materials from the Phonogrammarchiv at the Austrian Academy of Sciences
[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Prayers Spoken by Frida Kunene"; digitized CD booklet; handwritten protocols, and lyrics transcript and translation, extracted from data CD]